#Mainstage 3 foot controller pdf#
#Mainstage 3 foot controller manual#
#Mainstage 3 foot controller Patch#
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So just what is Mainstage 3? Well, computers have revolutionised many elements of the music industry, including live-rig performance.

#Mainstage 3 foot controller free#

If you find this page helpful, feel free to link to it.Conquering MainStage 3: The Fool-Proof Guide & iPad Tutorial

#Mainstage 3 foot controller manual#

If you don’t have the manual or can’t find one online, try a few to see if they work. It’s sometimes within the back and it’s usually labeled as the MIDI implementation chart. There should be a list in your synth or keyboard manual. Note: Not all synthesizers respond to all CC’s.

to a MIDI Controller, here is one with the by default undefined MIDI CCs:įor a more detailed table with Data Bytes included you can check out the official MIDI Control Changes list. In case you just need a MIDI CC List of undefined MIDI CCs to attach an effect/parameter/etc.

The value equals the number of channels, or 0 if the number of channels equals the number of voices in the receiver. Release time will still be maintained, and notes held by sustain will not turn off until sustain pedal is depressed. Once locally and twice when the note is sent back from the computer to your keyboard. If you use a computer, you will most likely want local control off to avoid notes being played twice. Turns internal connection of a MIDI keyboard or workstation, etc. It will reset all controllers to their default. It does so regardless of release time or sustain. MIDI CC 120 to 127 are “Channel Mode Messages.” Non-Registered Parameter Number MSB (NRPN)įor controllers 6, 38, 96, and 97, it selects the RPN parameter. Non-Registered Parameter Number LSB (NRPN)įor controllers 6, 38, 96, and 97, it selects the NRPN parameter. Usually used to decrement data for RPN and NRPN messages. Usually used to increment data for RPN and NRPN messages. Hi-Pass Filter Frequency or Generic on/off switchĮxtends the range of possible velocity values Generic – Some manufacturers may use to further shave their sounds. The attack is the amount of time it takes for the sound to reach maximum amplitude.Ĭontrols VCFs cutoff frequency of the filter. Default = Release Time.Ĭontrols the “Attack’ of a sound. Default = Resonance also (Timbre or Harmonics)Ĭontrols release time of the Voltage controlled Amplifier (VCA). Default = Sound Variation.Īllows shaping the Voltage Controlled Filter (VCF). Usually controls the way a sound is produced. However notes fade out according to their release parameter rather than when the pedal is released. – Turns Legato effect between 2 subsequent notes on or off.Īnother way to “hold notes” (see MIDI CC 64 and MIDI CC 66). People use it to “hold” chords” and play melodies over the held chord. On/off switch – Like the Sustain controller (CC 64), However, it only holds notes that were “On” when the pedal was pressed. On/off switch that controls sustain pedal. Usually used to control a parameter of an effect within the synth or workstation.

A value of 64 equals the center.Įxpression is a percentage of volume (CC7). A value of 64 equals the center.Ĭontrols the left and right balance, generally for mono patches. It can send a continuous stream of values based on how the pedal is used.Ĭontrols portamento rate to slide between 2 notes played subsequently.Ĭontrols Value for NRPN or RPN parameters.Ĭontrols the left and right balance, generally for stereo patches. It was originally intended for use with a breath MIDI controller in which blowing harder produced higher MIDI control values. Oftentimes associated with aftertouch messages. Generally this CC controls a vibrato effect (pitch, loudness, brighness). MIDI can access 16,384 patches per MIDI channel.

#Mainstage 3 foot controller Patch#

The MIDI Control Change Messages – Continuous Controllers MIDI CC #Īllows user to switch bank for patch selection. If you want to assign a parameter to an undefined CC you find a separate MIDI CC list of all undefined CCs below.

#Mainstage 3 foot controller pdf#

You can also download this MIDI CC list in PDF format and print it out if you want to. The most commonly used CCs are displayed in bold typeface. For example, you can use them to add vibrato, abrupt or gradual volume changes, or control the amount of reverb, tremolo, and/or chorus, and so on. You can use this list to set up your MIDI controller and manipulate your MIDI data in all different kind of ways to make your music more expressive. This MIDI CC list gives an overview of all 127 control change messages and which action they are assigned to by default.